Kuren and Soku were coming in through the south entrance and traveling along Fire Street which was one of Crater City’s main roads. When the two of them left, Kuren said that she would explain the details when they got to Crater City. “The thing my sensei found is related to what we were discussing at The Memorial Stone Garden.” The two of them did talk a bit but it was heavy focused on a specific time period. “As you well know, there was a time that the practice of the Shinobi art were declared forbidden. Yamanaka Shiro was not the only one to disagree with the prohibition obviously. However not most were not as open with their defiance as Shiro and practiced in secret. Sensei found clues to a hidden dojo.”
“He lives in a shrine just around the corner here.” Long stairs separated the shrine from the street level. The design of the aged building seemed to be as old as time itself. It was crafted from wood with a vintage design, and appeared to be well-kept for such an old establishment. The entrance of the building seemed quiet and empty, after all it was around dinner time. The two of them arrived at the entrance of the shrine, and were enveloped in the rustic charm. The air was filled with the sweet scent of cherry blossoms as the trees around the area were in full bloom. Flower petals dance in the air to the gentle roaming breezes of the wind and the tree branches begins to sway gently. A crow flies down and lands on one of the fox statues. The black bird welcomes them with a loud caw.
“Does any of this look familiar to you?” She asks knowing that there was a sister shrine back in Kanoha. Both shrines were built by descendants of Shiro. The shrine was not to honor a specific god or goddess but the pursuit of enlightenment. If Kuren recalls correctly the shrine back in Kanoha was home to a former sennin.
With careful eyes one would see many forms of life. A black cat lays by the entrance bathing in the warmth of the rays of the sun, a couple of rabbits nimble at the bed of flowers and a cricket begins to play its song for the coming night. They were being watched by the residence of this place, Yamanaka inhabiting the minds of animals. They are merely watchers used to keep an eye out for those who would seek to make trouble. Kuren and Soku would likely not have to wait long for her sensei to come walking out.
[WC: 441]
“He lives in a shrine just around the corner here.” Long stairs separated the shrine from the street level. The design of the aged building seemed to be as old as time itself. It was crafted from wood with a vintage design, and appeared to be well-kept for such an old establishment. The entrance of the building seemed quiet and empty, after all it was around dinner time. The two of them arrived at the entrance of the shrine, and were enveloped in the rustic charm. The air was filled with the sweet scent of cherry blossoms as the trees around the area were in full bloom. Flower petals dance in the air to the gentle roaming breezes of the wind and the tree branches begins to sway gently. A crow flies down and lands on one of the fox statues. The black bird welcomes them with a loud caw.
“Does any of this look familiar to you?” She asks knowing that there was a sister shrine back in Kanoha. Both shrines were built by descendants of Shiro. The shrine was not to honor a specific god or goddess but the pursuit of enlightenment. If Kuren recalls correctly the shrine back in Kanoha was home to a former sennin.
With careful eyes one would see many forms of life. A black cat lays by the entrance bathing in the warmth of the rays of the sun, a couple of rabbits nimble at the bed of flowers and a cricket begins to play its song for the coming night. They were being watched by the residence of this place, Yamanaka inhabiting the minds of animals. They are merely watchers used to keep an eye out for those who would seek to make trouble. Kuren and Soku would likely not have to wait long for her sensei to come walking out.
[WC: 441]