Lines embedded within walls, towers of wood and concrete housing a number of books that would last a scholar at least three lifetimes. Under the watchful eye of the sun, glimmer is replaced — walls are void of their usual, celestial charm — and, in its stead, dust settles. No matter for even without the help of the night, the museum offers nothing short of a heaven. An irony as, within, lay stories of hell. History tends to repeat. And as one of her late sisters liked to preach: repetition brings madness.
A penchant for the wheels of the world brings Chodayu here.
Long, oil-slicked silk of onyx cascades over her form. When her chin faces the heavens, her hair descends further. An eye travels along the chiseled parts of the wall. Engraved within the canvas is a tale of a boy and his snow partridge friend; carved in a variety of manner to tell their story from times where Chodayu's traditions were more common. More practiced. Like many other tales scattered across the halls of this museum, their story ends on the birth of another. Chodayu's gaze, however, stops just towards the end. Wordlessly, she fixates on the bird — allows time to slip by and waste, and shifts in her position only when the sleeves of her haori come together to cup warmth between pale, slender hands.
She feeds silence to where silence is rich, to where airs remain still from the lack of persons. And yet... are those footsteps she hears?
—
wc 251
A penchant for the wheels of the world brings Chodayu here.
Long, oil-slicked silk of onyx cascades over her form. When her chin faces the heavens, her hair descends further. An eye travels along the chiseled parts of the wall. Engraved within the canvas is a tale of a boy and his snow partridge friend; carved in a variety of manner to tell their story from times where Chodayu's traditions were more common. More practiced. Like many other tales scattered across the halls of this museum, their story ends on the birth of another. Chodayu's gaze, however, stops just towards the end. Wordlessly, she fixates on the bird — allows time to slip by and waste, and shifts in her position only when the sleeves of her haori come together to cup warmth between pale, slender hands.
She feeds silence to where silence is rich, to where airs remain still from the lack of persons. And yet... are those footsteps she hears?
—
wc 251